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23288 |
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Date: September 13, 2021 at 16:31:25
From: blindhog 6th sense, [DNS_Address]
Subject: I Know You Can't Take the Bible Literally, but the Rapture is... |
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...happening now.
It's not bodies en masse floating away, but rather
bodies dying or rotting away quickly or slowly because
of the evil Frankenshots thus resulting in millions
upon millions of souls "raptured" en masse, just like
was predicted, figuratively, in the Bible.
And like the Bible has predicted, we are hurdling to
the tribulation.
The question is, can be stop it?
Are there any theologians out there in earthboppin land
who have any answers or suggestions?
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Responses:
[23302] [23290] [23292] [23293] [23296] [23297] [23294] [23295] [23303] [23304] [23291] |
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23302 |
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Date: September 17, 2021 at 08:39:54
From: Dan, [DNS_Address]
Subject: There is no rapture...sorry! |
URL: https://uscatholic.org/articles/200911/in-case-of-rapture-dont-get-fooled-debunking-end-time-myths/ |
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snippet
The Rapture idea is based on creative but erroneous
interpretations of three Bible passages (1 Thess. 4:13-
18, Matt. 24:40-41, and John 14:1-2). In a desperate
attempt to cling to a supposedly "literal" approach to
interpreting the Bible, the proponents of the Rapture
engage in an absurd "biblical hopscotch" by isolating
and then re-assembling snippets from very different
biblical books.
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Responses:
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23290 |
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Date: September 13, 2021 at 23:21:24
From: Johnl, [DNS_Address]
Subject: Re: I Know You Can't Take the Bible Literally, but the Rapture is... |
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I don’t think the Covid vaccine is as bad as the
apocalyptic plagues mentioned in the bible for the end
times. However, it might be getting closer to the real
thing.
The forces of evil will probably prevail for a few
years, possibly 3 ½ years during the reign of the
anti-christ (fake messiah). There might be a lot of
christian martyrs. However, when things look very
bleak, Christ Jesus with the holy angels will descend
from heaven, and triumph over the anti-christ and
fallen angels.
The heavenly angels led by the archangel Michael
defeated the rebellious angels, and the fallen angels
retreated to earth. Here, the fallen angels might be
building scalar weapons in undersea kingdoms
(like Jules Verne wrote about).
A foremost mechanical engineer, Judy Wood, claims that
the Twin Towers was probably brought down by scalar
energy. There is an over 2 hour video of Judy Wood
explaining how scalar energy collapsed the Twin Towers.
(extra-terrestrial weapons?) She said that the
buildings did not slam to the ground, but rather
disintegrated in midair. The popular newscaster
Peter Jennings at the 14:30 mark, asked, “...where did
the rubble go?” I have not heard the entire video.
The bible prophecies that the armies of the anti-christ
and satan will be defeated by Christ. Those who died
during the tribulation will be resurrected (“the first
resurrection”) and reign with Christ a thousand years
on earth.
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Responses:
[23292] [23293] [23296] [23297] [23294] [23295] [23303] [23304] [23291] |
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23292 |
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Date: September 14, 2021 at 02:40:27
From: Johnl, [DNS_Address]
Subject: Link to Judy Wood video about scalar energy |
URL: https://www.youtube.com/watch?v=9Wjev3VRigk |
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https://www.youtube.com/watch?v=9Wjev3VRigk
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Responses:
[23293] [23296] [23297] [23294] [23295] [23303] [23304] |
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23293 |
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Date: September 14, 2021 at 03:13:30
From: Eve, [DNS_Address]
Subject: Re: Link to Judy Wood video about scalar energy |
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2.5 hours? heck no I already now we are on the verge, any time now.
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Responses:
[23296] [23297] [23294] [23295] [23303] [23304] |
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23296 |
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Date: September 14, 2021 at 18:37:35
From: Johnl, [DNS_Address]
Subject: Re: Link to Judy Wood video about scalar energy |
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Judy Wood doesn't talk about the end imes,but rather
how scalar energy (extraterrestrial?) probably brought
down the Twin Towers.
Her essential ideas can be heard in the first 20
minutes.
I just read about Logan's Run with Michael York and
Jenny Agutter. I had seen the movie on television many
years ago.
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Responses:
[23297] |
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23297 |
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Date: September 14, 2021 at 19:04:04
From: Eve, [DNS_Address]
Subject: Re: Link to Judy Wood video about scalar energy |
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I understood that, it's not something I need to understand the spirit
behind what happened on that day because bottom line...
-->For we wrestle not against flesh and blood, but against
principalities, against powers, against the rulers of the darkness of
this world, against a spiritual wickedness in high places.
-->Stay alert! Watch out for your great enemy, the devil. He prowls
around like a roaring lion, looking for someone to devour.
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23294 |
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Date: September 14, 2021 at 03:15:06
From: Eve, [DNS_Address]
Subject: Re: Link to Judy Wood video about scalar energy |
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Know...(not now)...just ignore me it's not like it bothers
anyone else to partake of ...well...you know.
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Responses:
[23295] [23303] [23304] |
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23295 |
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Date: September 14, 2021 at 04:48:28
From: Eve, [DNS_Address]
Subject: Re: Link to Judy Wood video about scalar energy |
URL: https://asapjournal.com/unfiltered-cinematic-thoughts-from-the-age-of-the-pandemic-the-quarantine-film-diaries-pavle-levi/ |
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..liquified soylent green.
----------------------------------------------++++--------------------------------------------++++-------------------------------------------------++++----------------------------------------------
Unfiltered Cinematic Thoughts from the Age of the Pandemic (The Quarantine Film Diaries) / Pavle Levi
May 14, 2020 Pavle Levi
Soylent Green (dir. Richard Fleischer; Metro-Goldwyn-Meyer, 1973)
Three classic dystopian science fiction films from the 1970s—Soylent Green (1973), The Omega Man (1971), and Logan’s Run (1976)—provide useful metaphors for some aspects of the present moment. Made
at the time when the post-apocalyptic genre was in full swing, and world capitalism was beginning a sustained transformation into its now-widespread neoliberal (post-industrial, speculative, and
viciously anti-welfare) phase, these films—these “cinematic models” (as one may wish to call them by analogy with the currently oft-evoked scientific “prediction models”)—incite thinking about the
socio-economic, ideological, and political underpinnings of the COVID-19 pandemic culture of distancing and isolation.
This text will itself not abide by the rules of proper distancing. Rather than respect common distinctions and clear-cut lines of separation, it will freely, in an unfiltered manner, intertwine
cinematic fiction and today’s reality. The coronavirus has temporarily brought the world to a halt. In this interregnum, to appropriate Antonio Gramsci’s well-known formulation, a great variety of
strange, impure (at times contradictory), and morbid symptoms appear…1
1) Soylent Green, Or, People on the Stairs
Richard Fleischer’s Soylent Green, set in a New York City of economic and ecological catastrophe in the year 2022, may have been a case of futuristic science-fiction five decades ago when it was
made. Today, less than two years before it is supposed to take place, it seems more like an educational film done in the style of hyperbolic realism.
Soylent Green depicts an overpopulated society suffering the consequences of uncontrolled greed and protracted disregard for the environment. The opening credits sequence, a synoptic montage of
documentary-like photographs (both in color and black and white), effectively establishes the theme of rampant twentieth century industrialization leading to drastic depletion of resources, severe
food and water shortages, extreme poverty, and irreparable pollution (the glass-house effect). The film particularly emphasizes unchecked corporate domination and an unbridgeable class divide that
separates the extremely rich 1% from the poverty-stricken rest, the 99% of the population.
Soylent Green (dir. Richard Fleischer; Metro-Goldwyn-Meyer, 1973)
To be sure, in Soylent Green’s dystopia, no one has it easy.2 But the socio-ecological cataclysm, much like the coronavirus, is no “great equalizer” either.3 Patriarchal white masculinity is still
hegemonic. Sexism is unbridled.4 Small groups of wealthy corporate types (let us not forget the celebrities), who inhabit the high-rises and keep away from the filthy and dangerous streets, are
clearly suffering the least. They rely on the services provided by the combined apparatuses of private support, leisure, and population control: personal assistants, concierge doctors and
firefighters, concubines (referred to as “furniture”), and the police.5 Those who are employed by the wealthy and by the system (whatever is left of it) struggle significantly more, but above all
they still feel fortunate to be able to get by. Finally, there is the mostly undifferentiated mass of disenfranchised people, by far the largest segment of the population, who simply seem to be
written off, left to die in the overcrowded streets.6
This situation is given powerful visual expression in the film’s bizarre mise-en-scene. As police detective Frank Thorn (Charlton Heston) enters the building where he lives, he literally has to
walk over heaps of lethargic, semi-dead people—piles of bodies stretching across hallways and stairs, all the way to the door of his apartment! A heavily armed guard sits there and protects the
sanctity of Thorn’s abode.
Soylent Green (dir. Richard Fleischer; Metro-Goldwyn-Meyer, 1973)
The privacy of one’s home (even a home as modest as Thorn’s happens to be)—the ability to effectively seclude one’s self from the rest of the world, to shelter-in-place or self-isolate, if need be—
is here clearly cast as a tremendous class and racial privilege. Even when it is necessary, for reasons like the current need to safeguard one’s health amidst the COVID-19 pandemic, the quarantine
is a luxury that is not readily available to everyone.7 In a world that does not wish to recognize any alternatives to the logic of private property, many—way too many—are deprived of the basic
human right to have a home. This shameful lack of interest in prioritizing, and ensuring, a safe place of residence for all people, must be recognized as an elementary, structural failure of
capitalist democracy: a failure that is, furthermore, directly, causally related to a larger network of interconnected problems that define today’s malfunctioning (in some places, as this pandemic
has made blatantly clear, practically non-existent) neoliberal institutions of public health.8
While the vast majority of the world’s inhabitants in the second decade of the twenty-first century experience tremendous suffering, the biggest corporations, such as Soylent Industries and Amazon,
keep growing their wealth despite the pandemics, the ecological cataclysms, and the collapse of all but the most oppressive social institutions. For instance, Amazon is maximizing its profits from
shipping and delivering goods to clients who have temporarily been immobilized in unprecedented numbers (due to various quarantine and curfew orders). At the same time, the richest corporation in
the world is hypocritically demonstrating its “humane” character by asking its clients to also contribute to a relief fund it started on behalf of its contract employees who are working during the
pandemic.9 Similarly, Soylent Industries are entrepreneurially turning widespread hunger into a source of wealth by processing dead people into a novel, branded article of food called “Soylent
Green.”10
Speculating about the prehistoric past, Friedrich Engels wrote: “At this time, owing to the continual uncertainty of food supplies, cannibalism seems to have arisen, and was practiced from now
onwards for a long time.”11 Extending Engels’s line of reasoning, Soylent Green’s “cinematic model” projects that the twenty-first century will literally be the age of commodified cannibalism.
“Life under capitalism,” Mark Steven recently wrote, “is the experience of horror, the irreversible liquefying of human substance and its necrophagic consumption.”12 Or, as Frank Thorn realized
when, following Soylent’s production process, he came face to face with the fundamental truth of capitalist democracy: “Soylent Green is people!”
....more at link....
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Responses:
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Date: September 18, 2021 at 20:32:55
From: Mystic Wanderer, [DNS_Address]
Subject: Re: Link to Judy Wood video about scalar energy |
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K...call me weird but i
keep getting the movie
'judge dredd' for some
very odd reason...and
the words...'the long
walk'from that movie!
This world run by tptb
is more liken to the
movie 'planet of the
apes' personally!!!
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Responses:
[23304] |
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23304 |
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Date: September 18, 2021 at 20:40:37
From: Mystic Wanderer, [DNS_Address]
Subject: Re: Link to Judy Wood video about scalar energy |
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Judge Dredd (1995)
Plot Summary (6)
In a dystopian future,
Joseph Dredd, the most
famous Judge (a police
officer with instant
field judiciary
powers), is convicted
for a crime he did not
commit and must face
his murderous
counterpart.
—Kenneth Chisholm
In the year 2139, the
Earth has changed into
a virtually
uninhabitable place
called the Cursed
Earth. All of the
Earth's population have
crowded into the cities
across the planet, now
known as Mega-Cities.
The crimes in these
Mega-Cities became so
violent and so
powerful, that the
regular justice system
was powerless to
contain, then it
collapsed completely.
However, a new justice
system came from the
ashes, there were three
justice systems in one
(police, jury and
executioner), they were
called Judges. In Mega-
City One (formerly, New
York City), there was a
Judge, named Joseph
Dredd, who was the
toughest and most
stringent Judge in
history. One day, he
was charged with
murder, and was tried
and sentenced to life
in prison because of
it.
—John Wiggins
Amid a barren Earth
from end to end and on
the ashes of a scorched
twenty-second-century
New York City, the
gargantuan post-nuclear
metropolis, Mega-City
One, harbours
uncontrolled and
widespread violence. To
maintain the law and
order, the elite force
of the lethally
efficient "Judges"
operate as the supreme
authority, being the
judge, the jury, and
the instant executioner
where the crime
flourishes: in the
city's violent streets.
Having a reputation for
being a pitiless and
incorruptible bearer of
justice, the infamous
enforcer, Judge Dredd,
finds himself on the
wrong side of the law,
when the megalomaniac
and former judge, Rico,
frames him, bent on
putting into action his
ambitious plan. Now,
the stage is set for
the ultimate showdown.
Can Rico escape when
justice is coming?
—Nick Riganas
In a standard comic
book dystopian near-
future, Americans are
ensconced in Mega-
Cities which protect
them from the
desolation of the world
outside, and the peace
is kept by the Judges.
This elite group who
upholds the Law is
police, jury and
executioner all in one.
Judge Joseph Dredd, the
most formidable and
revered of the Street
Judges, is convicted of
the murder of a
snooping reporter. With
the help of a prisoner
who he himself
convicted, Dredd sets
out to clear his name
while leaving a trail
of destruction, snappy
catchphrases, and
dazzling special
effects in his wake.
—T.C. Johnston
In the future, the
Earth transforms into a
desert wasteland called
the Cursed Earth.
Crowds of people now
live within walled
Mega-Cities where crime
is out-of-control and
elite police forces
(The Judges. Judge,
Jury and Executioners
all in one) enforces
law and justice in the
Mega-Cities. Judge
Joseph Dredd, the
greatest Judge in Mega-
City One is framed for
the assassination of a
journalist and his wife
by renegade Judge Rico.
Learning the truth
about himself from
Chief Justice Fargo,
head of the council of
Judges. Dredd with help
from colleague and
trusted friend Judge
Hershey and cowardly
computer hacker Fergie
sets out to take on
Rico, corrupt council
member Judge Griffin,
genetics scientist Ilsa
Hayden and the super-
strong ABC robot and
put a stop to their
evil plan involving
genetic engineering
(The key to the secrets
of Dredd's past) and
unleashing chaos and
destruction in Mega-
City One.
—Daniel Williamson
In a dystopic future,
where urban areas have
grown into Mega-Cities
that cover entire
coastal regions, the
justice system has
evolved to a single
person invested with
the power of police,
judge, jury and
executioner: the Judge.
Among the Judges of
Mega-City One, Judge
Joseph Dredd is one of
the best, and a
particular favorite of
the Head of the
Council, Chief Justice
Fargo. But there are
evil forces at work in
the Justice Department:
block riots and the
escape of Rico, a
homicidal maniac, are
only steps in a plan
that ultimately lead to
the sentencing of Dredd
for a murder he did not
commit. And Dredd must
discover the secrets of
his own past and
survive to stop the
evildoers.
—Kathy Li
© 1990-2021 by
IMDb.com, Inc.
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23291 |
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Date: September 14, 2021 at 00:13:40
From: Eve, [DNS_Address]
Subject: Re: I Know You Can't Take the Bible Literally, but the Rapture is... |
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I do, I think it is very near the end...I think the vaccines are a disguise for
cannibalism a form of partaking in "spirit cooking".
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Responses:
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[
Charles : Bible : Religion ] [ Main Menu ] |